"Accessible" can be a dirty word in contemporary classical music. For decades, composers have outfitted their works with gnarly tangles of complexity, and heaven forbid if there's a tune you can hum.

A few months before the coronavirus pandemic made even the smallest gatherings seem quaint, the composer Caroline Shaw asked her audience at the Kings Place concert hall, in London, to hum in B-flat ...

Performances in N.Y.C. Advertisement Supported by Meredith Monk’s “Cellular Songs,” a Kurt Weill rarity and a new take on Bach’s “Well-Tempered Clavier” are among the highlights. By The New York Times ...