BOSTON — As I listen to the overture of Bedřich Smetana’s "The Bartered Bride" in preparation for my call with Boston Midsummer Opera music director and conductor Susan Davenny Wyner, I sense ...

So do we exchange jolly peasants for glowering apparatchiks? Hardly – this is as entertaining a version of Smetana’s opera as you could wish, but the celebration of Czech nationalism has extra edge ...

Smetana and the librettist Karel Sabina masterfully mocked all those who expected the “national opera” to be an idyllic picture of the Czech countryside, with its inhabitants being virtuous and ...

“My music is rhythmic because I am Czech… the natural music of the Czechs is rhythm – strong and agile rhythm.” (Martinů). How well the conductor Jac van Steen and the director Paul Curran understood ...

There’s no shortage of movie musicals based on popular plays. Far fewer are based on operas. Max Ophüls’s rarely seen 1932 film “The Bartered Bride,” a seventy-six-minute, giddily inventive adaptation ...

Although in The Bartered Bride Smetana largely avoided the direct quotation of folksong, the music he composed was considered to be Czech in spirit, meaning that he succeeded in his aim of creating a ...

BOSTON — As I listen to the overture of Bedřich Smetana’s "The Bartered Bride" in preparation for my call with Boston Midsummer Opera music director and conductor Susan Davenny Wyner, I sense ...

First staged in 1998, Daniel Slater’s production of Smetana’s Czech nationalist classic sets the action in the early 1970s. So, when the inhabitants of this Bohemian community urge one another to ...