Fire and Ash star reflects on her long career, working with James Cameron, the power of sci-fi, and busting out her “freaky ...

For more than a century, popular culture has trained us to picture extraterrestrials as bug-eyed, bipedal “little green men” ...

The outspoken Oscar-winner gets candid about the make-or-break fate of ‘Fire and Ash,’ his future projects (including a ...

According to the Amnesty report (Page 48), which cited a separate report from Human Rights Watch, another nonprofit human ...

The network’s MAGA-curious new editor-in-chief, Bari Weiss, who personally spiked a segment critical of the Trump ...

The Terra Hunting Experiment will track the wobbles of dozens of stars nightly for years in the most focused hunt yet for an ...

Pluribus episode 8, “Charm Offensive,” gives us an initial answer — in a perversely, even hilariously subtle way. If you aren ...

A line I get a lot is, “Being a movie critic must be the best job in the world.” You’d think! But Hollywood so often has ...

Pittsburgh’s market rank will drop another position as Nielsen downgrades the region from No. 27 to No. 28 nationally for ...

There’s nothing inherently wrong with the last post-credits scene in Thor: The Dark World. We like Thor (Chris Hemsworth) and ...

Rümeysa Öztürk, Marcelo Gomes da Silva, Fabian Schmidt and Lucas Dos Santos Amaral are all trying to move forward with their lives, even those whose cases remain pending.

The difference is that arthouse is art, and knows it. These are films which proudly aim beyond mere money-making for multinational media conglomerates. They push at the boundaries of the form, explore ...