In 1972, Italian singer Adriano Celentano released “Prisencolinensinainciusol,” a song composed entirely of gibberish designed to mimic American English. The track was a satirical take on the global fascination with English pop music, blending nonsensical lyrics with a catchy rock rhythm. Celentano aimed to highlight how audiences often prioritized sound over meaning in foreign hits. The song became a surprising hit in Italy and beyond, showcasing Celentano’s knack for innovation. Its infectious